The Ocean Pathways initiative is a partnership between UQ Art Museum and the Art Gallery of NSW (AGNSW), with two dedicated appointments, one based at each institution. Over the course of our roles, Kieara (Ocean Pathways Assistant Curator, First Nations Art at AGNSW) and I (Logan Bobongie, Ocean Pathways Education Producer at UQAM) have come to refer to our positions as ‘Sister Roles’.
As part of this unique partnership, I had the opportunity to travel to AGNSW to deepen connections with their team as part of a grant from the Gordon Darling Foundation. My visit aligned with two significant events: the preview and opening celebration of Yolŋu power: the art of Yirrkala. The exhibition featured powerful works from Yirrkala, a coastal town in Northeast Arnhem Land and home to the Buku-Larrŋgay Mulka Centre—an institution renowned for using art as a political tool. Buku is one of my favourite art centres, known for its breathtaking cross-hatching, vibrant colour palettes, skillful pandanus weaving, and striking reclaimed road signs.
The exhibition was filled with unforgettable moments. I still get goosebumps thinking about opening night, especially when the Yirrkala artists began their performance. Starting at the main stage, they sang and danced through the crowd, continuing inside the exhibition space, responding to artworks with song and movement. Being present for such a monumental celebration of Yirrkala was a true privilege.
During my visit, my sister Kieara gave me a tour of AGNSW and introduced me to members of their team. I had a great discussion with Bek and Charlie from the education team, who shared insights into their Art Pathways program, which brings students from across the greater Sydney region into the gallery. As someone based at a university, visiting a state institution offered a valuable perspective on the different ways we connect with audiences and deliver educational experiences. I also had the chance to meet Erin Vink, Curator of First Nations art (local and global), and view her stunning exhibition, High Colour. These moments of connection are ones I deeply value as they offer opportunities to learn from others’ experiences and approaches.
Seeing how another institution welcomes and works with artists was a powerful reminder of the meaningful and transformative nature of these exchanges. As an emerging arts worker, opportunities to connect and learn from the teams at UQ Art Museum and the Art Gallery of NSW are incredibly valuable. Both institutions approach their work with passion and generosity. As I enter the second year of my appointment, I’m excited for the opportunities and moments of connection that 2026 will bring.
